Director’s Statement:
I direct as an act of liberation. Every stage I step onto, every frame I compose, is an invitation to reclaim narratives that have been stolen, silenced, or distorted. My practice is rooted in the body; the body as archive, the body as testimony, the body as choreography of survival. I treat movement as language, excavating gestures that carry memory, ritual, and resistance. I shape stories that refuse erasure and demand the world see us in our full complexity: human, alive, and unafraid.
My vision is simple and urgent: to make work that lingers, that unsettles, that heals, and that dares us all to imagine freedom.
In my rehearsal rooms, I lead with trust, rigor, and generosity. I believe every artist deserves to feel fully seen, fully valued, and fully capable of shaping the story we are building together. I honor the body as a site of knowledge, inviting movement, gesture, and rhythm to guide discovery alongside text. I operate rehearsals as communities of care and creation, where vulnerability is strength and risk is essential. My process is not about control, but about cultivating a collective language; one that empowers each collaborator to bring their history, their artistry, and their passion to the work.
My vision as a director is not confined to a stage or a single medium; it is a living practice that moves fluidly from theatre to film, from books to web archives, from performance to memory. Directing for me is not just about producing a show; it is about shaping experiences that transcend form and time. Whether through a live performance, a poem on the page, or a digital archive that carries voices forward, I approach each work as part of a larger continuum of storytelling. My role is to create worlds that breathe across platforms, where art becomes a vessel for preservation, transformation, and liberation
The Grown-Ups.
by Simon Henriques & Skylar Fox.
RCNJ Theater - Spring ‘25.
In a powerful narrative centered around a team of camp counselors striving to shape the leaders of tomorrow amidst a troubling future, *The Grown-Ups* delves deep into the traditions that shape our identities, the courage it takes to transform those traditions, and the struggle to evolve when faced with feelings of unpreparedness and despair. This compelling exploration challenges us to confront our realities and offers a path to personal growth, even when the odds seem stacked against us.







Polaroid Stories.
by Naomi Iizuka
RCNJ Theater - Fall ‘24.
A visceral blend of classical mythology and real-life stories told by street kids, Iizuka’s award-winning play journeys into a dangerous world where myth-making fulfills a fierce need for transcendence, where storytelling has the power to transform a reality in which characters’ lives are continually threatened, devalued, and effaced. Inspired in part by Ovid’s Metamorphoses, Polaroid Stories depicts modern-day mortals engulfed by needs that burn and consume with lyricism and great theatrical force.
A Pick For The Hair Of Black Kids Who Dont Wanna Be Gangstaz. - World Premiere.
by Junie Edwards.
Pillsbury House Theatre - Summer ‘24.
This choreopoem follows the story of 6 poet friends readying themselves for a slam poetry competition. When they take a break from rehearsing, they travel down a long and weighted path as they play a game confessing their deepest secrets and fears pertaining to the Black community. This piece is an ode to the voices of our younger Black generations.
A PICK FOR THE HAIR OF BLACK KIDS WHO DON'T WANNA BE GANGSTAZ premiered at Pillsbury House and Theatre (Carmen Multez, Stage Manager; Rachael Rhoades, Production Stage Manager; Aimee K. Bryant, Producer; Signee Harridy, Producing Artistic Director) in Minneapolis on July 19, 2024. It was directed by Lester Mayers; the set, lighting and sound design was by the Technical Theatre Step Up Internship (Claudia Errickson, Rachael Rhoades and KD Deutsch, heads of program); costume design by Lester Mayers in collaboration with the cast.










“Hooded, or Being Black for Dummies.”
by Tearrance Arvelle Chisholm.
SUNY New Paltz - Fall ‘23.
“‘Hooded, or Being Black for Dummies’ is a dark comedy materialized with the power of long-traditional effects of racism and the fears, pain, confusion, and wasteful global loathing it leaves behind. Centering the duality of identity through the gaze of a 14-year-old Black teenager named Marquis, “Hooded” explores the cycles of racism, gun violence, and the murder of unarmed Black Americans, particularly those in the middle passage of their adolescence, beginning with Trayvon Martin; this masterpiece reminds us, one is too many, and it takes a village to save a village but most importantly, justice is still due! You will laugh, you will cry, you may be angered and confused, but you will go through. We have crafted a show that cares for everyone who opens their hearts to witness it. This community of cast, crew, and production team are mountains of paramount talent loving this necessary story to understanding.”





















They Wear Teal Ribbons Around Their Tongues - World Premiere.
by Siddeeqah Shabazz.
Full Circle Theater - Spring ‘24.
Introducing the Douglasses - the beloved 90s sitcom family. They're known for their love, humor, wealth, and status. But what happens when a long-kept secret threatens to shatter their perfect image? As they navigate through the aftermath, the Douglasses will have to confront their true selves and decide who they want to be. Brace yourself for a gripping journey of self-discovery!








Poems From A Shelter.
by Lester Mayers.
Ambience Theater - Summer ‘22.
Poems from a Shelter is a choreopoem that threads together the voices of unhoused men, women, and queer youth navigating resilience, despair, and fleeting moments of joy inside a city shelter. Blending poetry, movement, and testimony, the work transforms fragments of survival into a collective song of dignity, asking audiences to confront the humanity too often hidden behind statistics and stereotypes.


Sally & Tom.
by Suzan-Lori Parks
Directed by Steve H. Broadnax III
Assistant Directed & Co-Choreographed by Lester Mayers
Guthrie Theater - Fall ‘22.
After spending three years in Paris, founding father Thomas Jefferson returns to his Monticello plantation in rural Virginia where the complexities of his relationship with Sally Hemings, the teenage sister of his enslaved valet and chef, begin to unfold. Monticello is not Paris, and everything — yet nothing — feels the same. In this clever collision of American history and theater, acclaimed playwright and Pulitzer Prize winner Suzan-Lori Parks spotlights the unexpected parallels between 1790 and today while taking the audience on a journey through the past that inevitably catches up with the present.
For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf.
by Ntozake Shange.
Directed by Bria Walker.
Assistant Directed & Co-Choreographed by Lester Mayers
SUNY New Paltz - Spring ‘19.
This powerful choreopoem, crafted by the legendary Ntozake Shange, is a stirring blend of passion, humor, and raw authenticity. It unfolds the compelling narratives of seven women of color, each expressing her survival journey through a captivating mix of poetry, song, and movement. With unwavering honesty and deep emotion, these extraordinary voices reveal the challenges of navigating a world shaped by both sexism and racism, making this a must-see theatrical experience. Don't miss your chance to witness this transformative work that resonates with strength and resilience.